Glad to hear it. ;V

I don't like to brag much, but I do think the quality improved a bit when I stepped in to help out, especially from 2014 onwards. I'm making it my job to make the future pieces more interesting and enjoyable, and varying things even more than before (hence all the new genre ventures).

As for favourites.. it's a tricky one.. I'd say the following;
Favourite 2012 piece is a tie between: #016: There Is an Alchemy in Sorrow and #017: So Drips the Lukewarm Water (the latter has a synthline inspired by a game I love and is pretty trippy, the former being one of more commonly listened to releases for a reason).
Favourite 2013 piece is a tie between: #081: You Carved Cameos Upon the Sea and #086: I Swear There's a Ladder Outside the Window (No It's Not Just a Reflection) (both use a lot of my tape manipulation, the former is another Post-Rock effort and the latter was one of my first attempts at incorporating Modern Classical music into the mix (which you'll also hear more of in B13 and my own projects, in the future)).
Favourite 2014 piece is: #099: ἌΓΓΕΛΟΣ ΠΟΝΟΚΈΦΑΛΟΙ: Learn How to Float.
I don't have a favourite for 2015 yet, but I think #129 is gonna be well received.

Special mentions to: #084: Outside of This Ark All Is Deluge (The track "Merely for an Excuse" is probably my favourite of the short songs. It was originally crammed into this stupid noise album that had ten songs played on top of each other, and it sounded like ass raping a porpoise with a jackhammer - needless to say I'm glad it found a home.) And: #110: Be a Lightning Rod Than a Seismograph for my favourite cover art (so far - I think #129 will beat it).

I'm destroying your shoutbox with a trillion words. Munch munch munch.

Glad you dig #099! It got some radioplay recently as well, funnily enough.

Haha, well it's just me now - XTC left. There's still some stuff left behind and a few upcoming pieces have their synth/bass stuff in it, but that will run out soon enough. I'm bringing in others wherever possible to keep it interesting, but for now it's mostly just myself at the helm of this crazy ship.

Anal Cunt is cool - I've listened to them all before, but in random amounts and over a period of like 11 years. I used to know Seth, he's actually a really nice guy. We emailed back and forth a bit about how gay the internet is and he gave me an early copy of the 110 Song CD. I need to do them justice and sit through it all in a binge listen-ography list like the Coleman one. I'm not sure who I'll do next to be honest; but they're definitely one I have in mind for soon. :V

Sometimes I adore #016, but sometimes it's just long. Same applies to all of the releases, really! #123 was an interesting experiment. I always wanted to apply Harsh Noise to a more rock/metal based structure. I think it worked out alright.

I love cold things, cold placed, cold music. I wish I could take credit for the genre, but it's been around for sometime - albeit less apparent than the other main Ambient subgenres. :V

I heard he's also really inspired by Gravediggaz... But, I definetely do need to listen to Three Six Mafia. I'm always down to keep on talking about old memphis rap if you message me... It's a really underdiscussed genre.

thanks bro

Ya ever change your mind about Sublime? Just saw your review about your brother playing "40 Oz. to Freedom" off of his laptop speakers and laughed before realizing that we me every day back in like 2008

I read your comment last night while thinking "man, the rap in "Scarlet Begonias" is gucci but I've heard the drums from "Funky Drummer" sampled too many times in my life" and then I laid down and read that the drummer who recorded that sample died yesterday. I kinda feel like the harbinger of death right now