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Sonic Origins 2024-04-17T05:24:38Z
2024-04-17T05:24:38Z
4.0
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Pac-Man World 2 2024-02-02T20:30:30Z
2024-02-02T20:30:30Z
3.5
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SILENT HILL: Ascension 2024-01-19T19:37:58Z
2024-01-19T19:37:58Z
0.5
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Half-Life 2: Episode Two 2024-01-14T21:49:25Z
2024-01-14T21:49:25Z
4.5
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Half-Life 2: Episode One 2024-01-14T21:49:04Z
2024-01-14T21:49:04Z
4.0
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  • Cptsmith1 2013-04-19 19:28:27.999226+00
    Glad you're digging The Raven That Refused to Sing as much as I am. Great album!
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  • Cptsmith1 2013-04-27 19:01:41.114932+00
    Oh yeah forgot to ask about the show. Sounds like it was awesome!
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  • Cptsmith1 2013-04-29 21:53:31.517983+00
    Very nice write up! That's really awesome that they played Radioactive Toy too.
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  • Systema 2015-08-19 18:57:06.510795+00
    The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worthy of being saved.
    In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena (be it grunge or U2) and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, a lot of rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.

    Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially.

    Beatles' "Aryan" music removed any trace of black music from rock and roll. It replaced syncopated African rhythm with linear Western melody, and lusty negro attitudes with cute white-kid smiles.

    Contemporary musicians never spoke highly of the Beatles, and for good reason. They could never figure out why the Beatles' songs should be regarded more highly than their own. They knew that the Beatles were simply lucky to become a folk phenomenon (thanks to "Beatlemania", which had nothing to do with their musical merits). That phenomenon kept alive interest in their (mediocre) musical endeavours to this day. Nothing else grants the Beatles more attention than, say, the Kinks or the Rolling Stones. There was nothing intrinsically better in the Beatles' music. Ray Davies of the Kinks was certainly a far better songwriter than Lennon & McCartney. The Stones were certainly much more skilled musicians than the 'Fab Four'. And Pete Townshend was a far more accomplished composer, capable of entire operas such as "Tommy" and "Quadrophenia"; not to mention the far greater British musicians who followed them in subsequent decades or the US musicians themselves who initially spearheaded what the Beatles merely later repackaged to the masses.

    The Beatles sold a lot of records not because they were the greatest musicians but simply because their music was easy to sell to the masses: it had no difficult content, it had no technical innovations, it had no creative depth. They wrote a bunch of catchy 3-minute ditties and they were photogenic. If somebody had not invented "Beatlemania" in 1963, you would not have wasted five minutes of your time reading these pages about such a trivial band.
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  • Qwerty100 2016-08-16 21:58:22.015879+00
    While I agree with Systema's basic premise that rock critics are lazy, clueless and prone to hype, his assessment of the Beatles' success is hugely flawed, and they're such a bad example to support his argument. The fact that he'd place an overrated guy such as Buckley over the Beatles borders on the insane. But hey, everyone's got their own taste.
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  • Qwerty100 2017-04-11 12:30:52.731072+00
    Appreciate the detailed submission.
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Joined 2011-11-05T00:22:28Z

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23 mar 2015
8 apr - 12 may 2015
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